Streetcar named desired - scene 6

Ballet is a classical form of dancing art that had been evolved due to influences of modern techniques and styles. As any other artistically represented work, choreography is an acceptable way to express the feelings and to explain the plot of any story. As it does not use words (not like opera) so: how can we adapt something like a play, which contains constant dialogues, to this form that tries to avoid verbal interrogatives? The answer is the movement. “A streetcar named Desire” is a based on conflicts, internal such as external- between Blanche Du Bois and any other secondary character present. And to underline the relevance of those, the environment is always used- meaning the music. Notes of blues perfectly mix with classic perspectives of machismo evident in the book and also, can be fused with some step techniques that the producer used in this ballet production. http://www.ballet.co.uk/magazines/yr_04/jan04/ar_rev_stuttgart_0104.htm

In Scene 6 the flirting between Blanche and Mitch is clearly evidenced- ….

Mitch: can I-uh- kiss you-goodnight?

Blanche: why do you always ask me if you may?

…

Blanche: I guess you are used to girls that like to be lost. The kind that get lost immediately, on the first date!

Mitch: I like you to be exactly the way that you are, because in all my- experience- I have never known anyone like you.

This actually shows how was the relationship that Mitch was getting into with blanche. Most of this chapter is about the stories that Blanche tell to Mitch about his past and his life, also show how the get more closer at the time and how they feel between each other and know each other too.

by: ana maria ortiz, mikhail konko and laura nederveen